Growing change at the intersection of art and agroecology

Authors

DOI:

https://doi.org/10.5304/jafscd.2024.133.011

Keywords:

agroecology, art, decolonization, Indigenous knowledge, social transformation, U.S. Agroecology Summit 2023

Abstract

First paragraph:

Agroecology in the U.S., as commonly insti­tutionalized, remains firmly rooted in its techno-scientific approaches centered on quanti­tative biophysical data and natural science research methodologies that flatten the richness of its rela­tionality, land-based practices, and social move­ments. The crucial role of art and popu­lar forms of artistic expression are often undervalued within the walls of academia and higher-education institu­tions, while elsewhere, it embodies the steady pulse of anti-colonial resistance and the daily pursuit of life-affirming practices. . . .

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Author Biographies

Ana Fochesatto, University of Wisconsin, Madison

PhD Candidate, Nelson Institute for Environmental Studies

Karen Crespo Triveño, University of California, Santa Cruz

PhD Student, Environmental Studies Department

Ryan Tenney, Sankara Farm

Farmer/Artist

Jesús Nazario, University of California, Berkeley

PhD Student, The Department of Ethnic Studies

Garrett Graddy-Lovelace, American University

Provost Associate Professor, School of International Service

Mariel Gardner, West End Women’s Collaborative

Board Chair

Published

2024-04-24

How to Cite

Fochesatto, A., Crespo Triveño, K., Tenney, R., Nazario, J., Graddy-Lovelace, G., & Gardner, M. (2024). Growing change at the intersection of art and agroecology. Journal of Agriculture, Food Systems, and Community Development, 13(3), 73–84. https://doi.org/10.5304/jafscd.2024.133.011

Issue

Section

Commentaries from the U.S. Agroecology Summit 2023